Generative Digital Art and the Rise of NFTs
Generative digital art has gained popularity in the NFT market, with eye-popping sales and the attention of elite brands and institutions. Artist and software designer Casey Reas reflects on the challenges of selling digital artwork before NFTs, which required extensive documentation. However, things have changed, and Reas is set to debut his series “923 Empty Rooms” as NFTs on Ethereum. The artworks will be minted in collaboration with generative art startups Bright Moments and Art Blocks, and live minting events will be held across three continents. Reas incorporates reflections and experimentation into his work, exploring the possibilities of simple shapes and colorforms. The blockchain and the creation of Art Blocks have revolutionized the distribution and demand for generative art, connecting artists with a global audience.
Key Points:
- Before NFTs, generative art had a small collector base and required extensive documentation.
- Casey Reas will debut his series “923 Empty Rooms” as NFTs on Ethereum in collaboration with Bright Moments and Art Blocks.
- Live minting events will be held across three continents, allowing the generative art community to witness the birth of Reas’ artworks.
- The blockchain and Art Blocks have revolutionized the distribution and demand for generative art.
- Reas explores the possibilities of simple shapes and colorforms in his artwork.
Hot Take:
The rise of NFTs has transformed the generative art market, providing artists like Casey Reas with a global platform to showcase and sell their digital artwork. Through collaborations with startups like Bright Moments and Art Blocks, artists can reach a wider audience and participate in live minting events. The blockchain has revolutionized the distribution and ownership of generative art, allowing collectors to easily acquire and authenticate digital pieces. With the growing demand and anticipation around generative art, artists like Reas are gaining recognition and affirmation in the art world.